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Since 2002, I have used an industrial sewing machine to draw with thread on fabric, creating entirely process-directed imagery. I call what I make "sewn drawings."
The fabrics I use derive their patterns directly or indirectly from 18th century France,
19th century England, classical China as well as chinoiserie, 19th century and contemporary Japan, 20th century and contemporary Europe, America, India, and Africa. My sewn drawings reflect and refract the cultures of the patterns they contain.
I cut up and harvest these patterns, re-combining them into hybrid forms which I subject to weeks of transformative "sewing-into" and countless revisions. Because I begin with only a rough approximation, then grope sideways towards a dimly sensed resolution, which changes as I go, and the process is labor-intensive, it takes weeks to create a drawing. Fortunately, the process of sewing-into, un-doing, and re-doing determines most of the imagery. I need only respond to what is happening under my hands. |